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The latest Tucson Poetry Festival will be held this weekend, April 23-24, 2022, at a variety of fantastic venues in the Tucson area. Our theme this year is “Poetry and Pause.”
Interview: CBS Sunday Morning Primetime Special “Forever Young: Searching for the Fountain of Youth”
I was interviewed for a segment on cryonics that aired in a CBS Sunday Morning primetime special titled “Forever Young: Searching for the Fountain of Youth” in November 2021.
“My mother is a superocean. She bore us. Bears us. Bears / our accusations in rain and rivulet to river. A wave, she / surrounds us.”
It can be difficult to sort through all the offerings from the Writers Studio to pick which classes are best for you or the writer in your life to which you would like to gift a workshop. Here, then, is a guide to our offerings, depending on your writing goals and interests.
Cradleland of Parasites might be Sara Tantlinger’s best collection yet, a sequence of frightening, gruesome, breathtakingly beautiful poems about the Black Plague and other very real pestilence horrors up through modern times.
The future is frightening, often radically different, sometimes bleak, sometimes hopeful, sometimes both in the beautiful poems and short fiction included in the latest volume of House of Zolo’s Journal of Speculative Literature.
Help raise funds for the Tucson Poetry Festival by dining in or ordering take out or delivery at Fini’s Landing restaurant in Tucson between 11:00 a.m. and 9:00 p.m. on Saturday, December 4, 2021. Mention it’s for “Tucson Poetry Festival (Ocotillo Literary Endeavors)” before ordering your meal. You can RSVP on the fundraising announcement site.
Free Writers Studio Tucson class this Thursday evening, September 23, and information about my upcoming Fall 2021 workshops
“We remind them that road trips and human exploration lead back, without adding ‘if all goes well.’ Ride an explosion, walk on another rocky surface, collect some samples, more vials, return with the samples on top of another explosion. We can be there to cheer them on.”
“The couple quit uploading to YouTube two years ago. / Their videos are something pitiful and earnest now, / something long buried, sand-scratched, rubbed raw. / Thumbs down, I think. None of my business.”
I am no longer involved with most transhumanist, life extension, singularity, and other futurist and emerging technology organizations and movements.
I love the James Bond films. This weekend, I finished the fourth in the series—Thunderball (1965)—in my latest rewatch.
I acknowledge, however, that most of the films in this franchise are filled with offensive and derogatory content, including racism, homophobia, transphobia, and misogyny. There are too many of these scenes. I don’t love these films during those scenes. I don’t forgive the films these scenes.
I resisted watching the films in the Final Destination franchise for a long time because I was afraid of how extreme the gore might be. I’m getting a little braver and I kept hearing good things about the first one, so I finally watched the first film last night.
And then binge-watched the other four films today.
Free Writers Studio Tucson class this Saturday, April 10 and information about my upcoming Spring 2021 workshops.
The 39th Annual Tucson Poetry Festival is coming up in two weeks! Registration is available on our website for poetry workshops taught by our featured poets on Saturday, April 17, 2021. They will also be reading that evening and there will be an open mic (would you like to read one of your own poems?!) on Sunday afternoon, April 18, 2021.
A lot of my friends and family were concerned when I reported side effects from my first dose of the Pfizer vaccine. I appreciate your love and concern and I’m so sorry that I scared you! You make me feel cared for and loved!
I want to be clearer about this than I was last time: a sore arm, mild fever, headaches, body aches, and/or other side effects over a period of 24-48 hours are all healthy signs that your immune system is doing its job, without killing you in the process! Your immune system is reacting to something that is, fortunately, practically harmless, and this will prime your immune system to recognize and respond safely to something far more dangerous than a vaccine: the deadly coronavirus that causes COVID-19.
The high anxiety I felt in March and again in the summer hasn’t materialized in the same way with the latest, even greater peak of COVID-19 cases, hospitalizations, and deaths, which may reflect complacency and exhaustion during this never-ending pandemic. My outrage and despair that much of the Federal government, several state governments, and many fellow Americans have totally abandoned us, however, has never been more acute. It’s a stab to the heart and the collapse of my stomach every time I fathom the true scale of this inhumanity.
I really love every story in this issue. Everything had the right amount of tension, chills, and ambiguity. There’s an image of attendees at a party after the party is over in “Girls Without Their Faces On” by Laird Barron that will haunt me forever. As will the Dorset Ooser from “We, the Folk” by G.V. Anderson, which can you can find on Wikipedia and elsewhere. It’s real. AHHH!
Fantasy Magazine has been on hiatus for several years, but new editors Arley Sorg and Christie Yant have relaunched the magazine starting with Issue 61 and four short or flash prose pieces and two poems, along with interviews. In their opening editorial, Sorg and Yant discuss why they’re bringing the magazine back now; it’s a timely relaunch, to be sure.
There’s a humorous tone to some of the stories in the latest issue of Lightspeed Magazine I don’t think I’m really in the right place emotionally right now to completely appreciate, which might explain why my favorite story in this issue is probably “Burn the Ships” by Alberto Yáñez. It’s dark, but also deeply satisfying by the end.
I truly love Autumncrow by Cameron Chaney, a perfect-for-October and Autumn book, with fun and wicked, but frequently dark and troubling, stories that whisper to me about my own trauma and personal history, suggesting dark and light new ways for me to look at things. Chaney has a knack for seeing right into the soul.
A mix of flash and short fiction, Stories We Tell After Midnight from Crone Girls Press and editor Rachel A. Brune is an uneven mix, with several gems.
To participate in the fight against fascism and bigotry and for social justice, as well as to manage despair, I’m going to need assigned tasks between now and the election. It looks like the RGB Memorial Challenge will provide some of that guidance and discipline.
“I see how police officers and forces and governments react when they are challenged for their violent policies and racist behaviors. I see how they empower and embrace white supremacy groups and vigilantes while targeting Black people, people of color, peaceful and agitated demonstrators. I see how so many Americans have opinions about rioting and looting but stay quiet about the murders, violence, and oppression that prompted the latest historic demonstrations and remonstrations.”
One of the most exciting and enjoyable reading experiences I’ve had this year. I’m enthusiastic because in a year of great anthologies, Coppice & Brake from Crone Girls Press and Editor Rachel A. Brune is an absolute favorite. I love every single story, which I cannot say about most anthologies.
The University of Arizona Poetry Center, Arizona Public Media, and the Pima County Public Library have launched a poetry contest for K-12 students in Pima, Santa Cruz, and Cochise County in Arizona, with submissions accepted between June 16 and July 16, 2020.
Professor Geta LeSeur at the University of Arizona introduced me to Frederick Douglass’s “What to the Slave is the Fourth of July?” speech, a speech I now read or watch being read every year on this day.
Editor-in-Chief Janel Spencer and Editor Lynn Finger have launched Harpy Hybrid Review, a new online literary magazine based in Tucson, Arizona.
Tucson teachers Lela Scott MacNeil and I will be online for a free writing class this Thursday at 6:30 p.m. to provide a writing exercise, explain The Writers Studio method, and discuss how our program can support your personal writing goals.
What bliss to read the latest Rhysling Anthology from the Science Fiction and Fantasy Poetry Association (SFPA) and edited by David C. Kopaska-Merkel, but what torture to select the best three short and long poems nominated for the 2020 Rhysling Award.
White Fragility: Why It’s So Hard for White People to Talk About Racism by Robin DiAngelo is a great place for White people to start, learn a little humility, and start building stamina for grappling with race and racism. I learned a lot while experienced many head-smack moments and moments of shame while reading this short, accessible, blunt, and necessary book.
At 94 pages, In the Scrape by James Newman and Mark Steensland is a quick read, but be warned that the mounting tension might require an occasional break to catch your breath. You’re going to need the oxygen: the final third of the book, when the breathless pace escalates and characters become even more desperate, becomes unputdownable.
I have definitely been in the mood for ghost stories, and Midnight in the Graveyard, the first anthology from Silver Shamrock Publishing, delivers the ghostly goods!
Phreak often worked against my narrative expectations with its fragmented, time-jumping, and vignette-style approach, and in the process delivered a singular character whose clear and deeply felt recollections warn us how close we are to delivering a similarly bleak future to the next generation. You’ll want to get your hands on this novel as soon as possible.
This little novella full of big revelations and emotions really got to me.
It took me several pages to adjust to the direction Kirk takes later in the novel, but I was rewarded with an unexpectedly humane, emotional, and satisfying ending. Despite its challenges, We Are Monsters left me with a lot to enjoy and think about.
The 2020 Tucson Poetry Festival will include workshops, a reading by the featured poets, and an open mic.
When Director Melanie Madden suggested the theme for this year’s annual Tucson Poetry Festival—”Poetry to Sustain Us”—none of us on the Board could have predicted how even more necessary this sustenance would become in 2020.
“A snout breaks the surface of Greek yogurt in the 32-ounce container I have freshly opened and set on the counter. It sniffs cautiously, then sneezes and sprays yogurt everywhere. I yell. It pokes its entire head out and chirps. Mel is at daycare, Bill at his office. I’m between jobs and spend my days looking for work and being the stay-at-home dad, which includes grocery shopping
“I’m not eating this.”
So this is what today’s pro-level horror looks like.
“You ended up back here at the train station after you burned your mom’s house to the ground. You sit down on a bench under the eaves, and the dark clouds that followed you back drop a curtain of rain between the platform and the tracks. The vanishing point of the rails isn’t far off in either direction. The world isn’t shrinking; it has imploded.”
What I like the most about Ghosters 3 are the characters and their personality quirks and other details that make them individual and interesting.
Five of the writing instructors from The Writers Studio Tucson read unreal, dark, and surreal passages from a novel-in-progress, short stories, flash fiction, and poetry.
Lots of good poems this year, but when I read the poems I later selected while voting for the Rhysling Awards, they really leapt out at me and I love them fiercely.
I’m teaching a new 6-week workshop titled “Crafting Fantastic & Imaginative Worlds” and it uses The Writers Studio method of persona writing and critiquing. It begins Saturday, July 27, 2019.
Dana Diehl’s latest flash fiction piece titled “Forever Baby” and inspired by the game Stardew Valley is available on Cartridge Lit in the new “The Double Click Temple Issue.” Her story is awesome, sad, allegorical for so much, and you don’t need to know anything about Stardew Valley to appreciate it.
The Science Fiction & Fantasy Writers of America sets the minimum payment rates for professional short fiction markets. In September, this rate rises from 6 cents per word to 8 cents per word.
I’m now a writing instructor at the Writers Studio in Tucson, Arizona and I’ll be teaching an 8-week introductory workshop in fiction, poetry, and creative nonfiction beginning Saturday, April 20th!
I condemn reinstatement of this bigoted ban by the conservative majority of the Supreme Court.
13 January 2019🎥 Spider-Man: Into the Spider-Verse is a fantastic movie! I love the energy, art style(s), story, and characters. If this is the future of the Spider-Verse (and Venom 2 turns out to be a major improvement on the first one), then I’m eager for the franchise to expand.
Recommended: “What’s Done Can’t Be Undone” by Reneé Bibby and “CARBORUNDORUM > /DEV/NULL” by Annalee Flower Horne
How does the writer of genre fiction approach difficult subject matter like sexual assault? Two excellent and potentially triggering recent short stories by two fearless writers suggest two effective approaches.
And Ultima and Thule, according to New Horizons’ principal investigator Alan Stern at today’s NASA press briefing, the informal names the team have given the two lobes of the red object out in the Kuiper Belt New Horizons spent New Year’s encountering. The contact binary connected by a neck of material indicates two objects that came together and stuck sometime in the distant past when these kinds of interactions were leading elsewhere in the solar system to accretions that would eventually form the planets and their moons.
During a morning press briefing aired on NASA TV on New Year’s Day 2019, New Horizons mission team leaders revealed the latest best image of Ultima Thule. Still a blur, the Kuiper Belt body’s shape is more apparent in this latest image. Still unclear: are the two lobes connected or are they in fact two separate objects orbiting each other? The pole of the object was pointed toward the spacecraft, meaning Ultima Thule rotates from that perspective like a propellor. Artist and planetary scientist James Tuttle Keane has helped visualize this geometry in his illustration included next to the image.
New Kickstarter for HERE: Poems for the Planet, from Copper Canyon Press.
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