True Crime by Samantha Kolesnik is a difficult book to read, for sure, but what's so remarkable about it and why I continued reading is how the author navigates this brutal material.
One of the most exciting and enjoyable reading experiences I’ve had this year. I’m enthusiastic because in a year of great anthologies, Coppice & Brake from Crone Girls Press and Editor Rachel A. Brune is an absolute favorite. I love every single story, which I cannot say about most anthologies.
Professor Geta LeSeur at the University of Arizona introduced me to Frederick Douglass's "What to the Slave is the Fourth of July?" speech, a speech I now read or watch being read every year on this day.
What bliss to read the latest Rhysling Anthology from the Science Fiction and Fantasy Poetry Association (SFPA) and edited by David C. Kopaska-Merkel, but what torture to select the best three short and long poems nominated for the 2020 Rhysling Award.
White Fragility: Why It's So Hard for White People to Talk About Racism by Robin DiAngelo is a great place for White people to start, learn a little humility, and start building stamina for grappling with race and racism. I learned a lot while experienced many head-smack moments and moments of shame while reading this short, accessible, blunt, and necessary book.
The 2020 SFPA Poetry Contest runs from June 1 through August 31, 2020 and is open to both non-members and members.
Lightspeed’s May 2020 issue includes stories by some of my favorite authors, and some new favorites.
At 94 pages, In the Scrape by James Newman and Mark Steensland is a quick read, but be warned that the mounting tension might require an occasional break to catch your breath. You’re going to need the oxygen: the final third of the book, when the breathless pace escalates and characters become even more desperate, becomes unputdownable.
Cricket Hunters subverts the usual tropes and nostalgia of coming-of-age horror by reaching for something even darker in this tale of friendship and rivalry
I have definitely been in the mood for ghost stories, and Midnight in the Graveyard, the first anthology from Silver Shamrock Publishing, delivers the ghostly goods!
Phreak often worked against my narrative expectations with its fragmented, time-jumping, and vignette-style approach, and in the process delivered a singular character whose clear and deeply felt recollections warn us how close we are to delivering a similarly bleak future to the next generation. You’ll want to get your hands on this novel as soon as possible.
This little novella full of big revelations and emotions really got to me.
The rapid pace doesn’t get in the way of good details and atmosphere; I felt the cold, eeriness, and rising tension along the way. What they encounter is creepy as hell and led to heart-pounding horror and heartbreaking deaths.
It took me several pages to adjust to the direction Kirk takes later in the novel, but I was rewarded with an unexpectedly humane, emotional, and satisfying ending. Despite its challenges, We Are Monsters left me with a lot to enjoy and think about.
So this is what today's pro-level horror looks like.
What I like the most about Ghosters 3 are the characters and their personality quirks and other details that make them individual and interesting.
Lots of good poems this year, but when I read the poems I later selected while voting for the Rhysling Awards, they really leapt out at me and I love them fiercely.
Dana Diehl's latest flash fiction piece titled "Forever Baby" and inspired by the game Stardew Valley is available on Cartridge Lit in the new "The Double Click Temple Issue." Her story is awesome, sad, allegorical for so much, and you don't need to know anything about Stardew Valley to appreciate it.
The Science Fiction & Fantasy Writers of America sets the minimum payment rates for professional short fiction markets. In September, this rate rises from 6 cents per word to 8 cents per word.
Anders Carlson-Wee's poems in The Low Passions feel like they have exactly the right words; the perfect, accessible, blunt, beautiful, challenging, and surprising words.