[This movie was removed from YouTube. If it goes back up, I’ll update the links. The video he added soon after, How to be a Slut in America – Part 1, is every bit as interesting.]
When I say that Brian Jordan Alvarez’s new queer film Everything is Free—now available for free but age restricted on YouTube—is not afraid of penises, I mean that as high praise, and this is your opportunity to bail out of this review if this isn’t subject matter you’re comfortable with. You also might want to bail if you don’t want anything spoiled; come back after you’ve watched the film.
And when I say this film is further evidence that we are in more than just the Golden Age of Television, I mean that there are so many great web series and independent films and really video content of any kind. There’s a lot more crap out there because it’s easier than ever to capture and edit video, the price of software and hardware has plummeted, the number of platforms has multiplied, and many more people from many different backgrounds are releasing their video visions to the world, but the good stuff is better than ever, too.
Everything is Free comes from the brilliant mind of Alvarez, who wrote, directed, edited, starred in, and composed some of the music for his film. Alvarez is known for his comedy, and his latest effort is really damn funny, but it’s also full of drama, art, surrealism, and heat. Like really fucking hot moments of sensuality and nudity doing more than just titillating the viewer. The unexpected appearance of an erect penis in a YouTube video is a proclamation, a vulnerable character moment, kinda funny actually, hot, and happens as the drama escalates into homophobia and violence.
Ivan (played by Alvarez) is a gay American artist living in Colombia. His best friend and his friend’s brother, Cole, both straight, come to stay with him. As they begin to meet other Americans in Colombia, Ivan finds himself attracted to Cole, and is surprised by Cole’s tentative interest in return. As the relationship sputters and halts to a start, Ivan and Cole soon face an unexpected obstacle that adds a lot of tension and takes the film in unexpected directions.
What I find refreshing about Alvarez’s work is his unapologetic approach to depicting queer experience. I didn’t realize how much I hide and apologize for my own queer sense of identity until I started watching Alvarez’s YouTube videos. I also didn’t recognize how much I have normalized on heterosexual ways of being, including monogamy and nuclear families. Ivan crafts a family of friends around him, and experiences his sexuality without apology, even to the ostensibly straight brothers who drop into his world. He expresses attraction, tests limits, has multiple partners, and isn’t afraid of being in love and lust. There’s a line late in the movie when Ivan asks why he’s the one being made to look crazy because he’s in love with a straight man that really resonated with me. I have also found myself in love with straight guy friends, relationships made all the more confusing by a level of intimacy and dependence that developed between us that straight guys don’t talk about and frequently end up lashing out unprovoked as they struggle to understand and set their own limits. It’s so refreshing and comforting to see this explored in Everything is Free.
The direction and acting are fantastic, but I am also impressed by Alvarez’s editing and color choices. There are surreal and artsy moments that make the film even more fascinating, and will lead me to watch it again to derive additional meaning. There’s a lot to think about here. I thought the end felt slightly tacked on and more hopeful than necessary, except it’s also really funny and satisfying in it’s own way.
If you’ve seen previous web series and shorts by Alvarez, then you have seen many of the other actors in this film. It’s always wonderful to see Stephanie Koenig, Jason Greene, Jimmy Fowlie, and the rest of the gang. They all work so well together, with a style that’s part improvisational, part pure joy.
So when I say I’m looking forward to seeing more of Alvarez’s films, it’s because he has matured into one of my favorite writer-directors, and I’m learning a lot about myself in the process of appreciating his art. This is a Golden Age of Creativity and of diverse voices describing experiences that haven’t been explored enough.