So this is what today's pro-level horror looks like.
Ghosters 3 Secrets of the Bloody Tower by Diana Corbitt My rating: 4 of 5 stars I was invited by Diana Corbitt to read and write an honest review of her latest novel, Ghosters 3: The Secrets of the Bloody Tower. I’m happy to say that even though I haven’t read the previous books in … Continue reading Review: Ghosters 3: Secrets of the Bloody Tower by Diane Corbitt
Five of the writing instructors from The Writers Studio Tucson read unreal, dark, and surreal passages from a novel-in-progress, short stories, flash fiction, and poetry last Friday, October 1, 2019 in front of a large crowd of students, family, friends, readers, and writers.
Tucson writer and instructor Philip Ivory dives into "31 Days of Classic Horror" films on his "Write Yourself Sane" website, starting with 1931's Dracula.
I only became aware of the music genre known as retrowave or synthwave a few years ago, though I had been listening to examples of it for longer. In 2018 my appreciation for the genre deepened into love. This is music I jog to. This is music I write to. This is music that makes me nostalgic for the 1980s, but it also makes me question and critique that era. One musical act in particular is responsible for my current retrowave obsession: The Midnight.
Lots of good poems this year, but when I read the poems I later selected while voting for the Rhysling Awards, they really leapt out at me and I love them fiercely.
Dana Diehl's latest flash fiction piece titled "Forever Baby" and inspired by the game Stardew Valley is available on Cartridge Lit in the new "The Double Click Temple Issue." Her story is awesome, sad, allegorical for so much, and you don't need to know anything about Stardew Valley to appreciate it.
The Science Fiction & Fantasy Writers of America sets the minimum payment rates for professional short fiction markets. In September, this rate rises from 6 cents per word to 8 cents per word. Interesting to me, because I'm submitting stories to these markets... Current cover art for Beneath Ceaseless Skies One of my favorite magazines … Continue reading Supporting Professional Payment Rates in Science Fiction and Fantasy Short Fiction Markets
Assimilate isn’t the cheap and nauseating found-footage film the trailer led me to believe it would be, but instead an effective low-budget thriller that relies too much on jump scares but tempers these with earned emotions and suspense.
With stuff I didn't want to know about the world and reminders of things I don't want to remember, Anders Carlson-Wee's poems in The Low Passions feel like they have exactly the right words, the perfect, accessible, blunt, beautiful, challenging, and surprising words.
13 January 2019🎥 Spider-Man: Into the Spider-Verse is a fantastic movie! I love the energy, art style(s), story, and characters. If this is the future of the Spider-Verse (and Venom 2 turns out to be a major improvement on the first one), then I’m eager for the franchise to expand.
📚 I participated in a fantastic craft class today with Alice Hatcher, author of The Wonder That Was Ours. She was interviewed by Reneé Bibby, Director of the Writers Studio Tucson, and local students in the Master and Advanced workshops.
How does the writer of genre fiction approach difficult subject matter like sexual assault? Two excellent and potentially triggering recent short stories by two fearless writers suggest two effective approaches. January 2019 issue of Five on the Fifth "What's Done Can't Be Undone" by Tucson writer Reneé Bibby in the January 2019 issue of Five … Continue reading Recommended: “What’s Done Can’t Be Undone” by Reneé Bibby and “CARBORUNDORUM > /DEV/NULL” by Annalee Flower Horne
Horror 101: The Way Forward edited by Joe Mynhardt explores a tremendous territory of information, advice, and experience with essays written by many different creatives who work in the genre. These essays are organized into four main sections about the horror genre itself, the artistic opportunities in horror, writing horror, and building and maintaining a career in horror. There are some very useful commonalities to be found between various essays, but there are many differences, too, and even contradictory information. I love that. I found this mix especially inspiring because it underscores just how much room there is for you and me to explore the genre as singular readers, writers, artists, and enthusiasts. Even when I told myself I would absolutely *NOT* emulate what a particular essayist has done in their career, I loved learning about their experiences and how this only proves how wide open horror is.
The tone and humor might be a little dated, even insensitive and problematic at points, but there's no question that Save the Cat by Blake Snyder is a book packed with useful, easily digestible, but comprehensive information. Ostensibly written for screenwriters, I think novelists and short stories writers will find this book equally as beneficial. It might even have a thing or two to teach poets.
The Hate U Give by Angie Thomas is beautiful, emotional, full of love, humor, and hope, and also horror and tragedy. It's devastating.
The highlight of this issue is most definitely the interview with Joe Hill. I haven't read any of his work yet, but I'm really interested now that I've read this interview.
The Wonder That Was Ours by Alice Hatcher is a deeply moving novel that makes smart use of its narrator—the collective "we" of cockroaches—to explore the legacy of colonization. Hatcher's collective cockroach narrator is funny and astute, and finds the disturbing and heartbreaking parallels between our species, while pointing out the ways humans might be far worse.
An issue of mostly Lovecraftian horror (including an essay asking what the hell that even means.)
With TV Girls—six incredible flash fiction stories in one fantastic chapbook—Dana Diehl's compassion for reality TV stars flattened by the medium recovers their individuality and complexity by exploring in gorgeously-crafted prose how they are vulnerable, exploited, and managing the relentless attention.