After years of focusing on literary poetry and fiction, including completing my undergraduate education in creative writing and taking writing workshops, I’m finally embracing my original genre aspirations.
I really, really, really want to reach 50,000 words in November and I want to do it in 2019 before the new decade starts and we’re in the far future.
I have learned a valuable lesson about writing this year as a result of teaching writing workshops. This led to a breakthrough in writing poetry that has transformed my poems in the past few months. Here is what I have learned.
In the 2019 Shadow Award from The Molotov Cocktail, one of my entries landed me on the short list.
As summer temperatures in Tucson finally drop below 100°F and we head into autumn, I’m preparing lesson plans and writing new exercises for two fall workshops at the Writers Studio.
This week kicks off a busy summer of writing and teaching. I’m currently preparing lesson plans and writing lessons for two summer workshops. There are only two spots left in my science fiction, fantasy, and horror writing workshop online for the Writers Studio. I’m grateful for the interest! And there’s still room in my face-to-face […]
I am so excited to announce that my proposal for a workshop on writing speculative fiction and poetry, including science fiction, fantasy, and horror, was recently approved, and the class is now listed and available for registration! This new 6-week workshop is titled “Crafting Fantastic & Imaginative Worlds” and it uses The Writers Studio method of persona writing and critiquing. It begins Saturday, July 27, 2019.
The Writers Studio Tucson is holding eight-week writing workshops again this summer, and there are two options for the beginning level: I’m teaching Workshop Saturday mornings from 10:00am – 12:30pm starting July 20th. Lela Scott MacNeil is teaching Workshop Wednesday evenings from 6:30 – 9:00pm starting August 7th. Registration and the full list of courses including […]
The Science Fiction & Fantasy Writers of America sets the minimum payment rates for professional short fiction markets. In September, this rate rises from 6 cents per word to 8 cents per word. Interesting to me, because I’m submitting stories to these markets… One of my favorite magazines is Beneath Ceaseless Skies, devoted to “literary […]
I was not prepared for how much worse imposter syndrome would get once I started writing regularly, getting published, participating in public readings, teaching…
I’m now a writing instructor at the Writers Studio in Tucson, Arizona and I’ll be teaching an 8-week introductory workshop in fiction, poetry, and creative nonfiction beginning Saturday, April 20th!
📚 I participated in a fantastic craft class today with Alice Hatcher, author of The Wonder That Was Ours. She was interviewed by Reneé Bibby, Director of the Writers Studio Tucson, and local students in the Master and Advanced workshops.
Horror 101: The Way Forward edited by Joe Mynhardt explores a tremendous territory of information, advice, and experience with essays written by many different creatives who work in the genre. These essays are organized into four main sections about the horror genre itself, the artistic opportunities in horror, writing horror, and building and maintaining a career in horror. There are some very useful commonalities to be found between various essays, but there are many differences, too, and even contradictory information. I love that. I found this mix especially inspiring because it underscores just how much room there is for you and me to explore the genre as singular readers, writers, artists, and enthusiasts. Even when I told myself I would absolutely *NOT* emulate what a particular essayist has done in their career, I loved learning about their experiences and how this only proves how wide open horror is.
The tone and humor might be a little dated, even insensitive and problematic at points, but there’s no question that Save the Cat by Blake Snyder is a book packed with useful, easily digestible, but comprehensive information. Ostensibly written for screenwriters, I think novelists and short stories writers will find this book equally as beneficial. It might even have a thing or two to teach poets.
I’ve written an entire novel before, a few of them in fact, but I’ve never completed 50,000 words during National Novel Writing Month in November. According to my stats on the NaNoWriMo website, I came close in 2013 with over 36,000 words. In 2016, I gave up after only 8,000 words.
How you participate in class can mean the difference between a rewarding learning experience and an utter waste of your—and everyone else’s—time and money.
How to group poems into manuscripts that will go out to several potential markets?
I have no idea.
A tiny celebration for a small accomplishment: a little notebook full of handwritten poetry fragments.
I don’t believe in natural talent.
Counseling, when you find the right counselor and when you engage with them honestly and with a willingness to do what they suggest, can work wonders and reshape your entire life.