It’s time for a website reorganization that focuses entirely on writing and teaching while burying my past activities.
Free Writers Studio Tucson class this Saturday, April 10 and information about my upcoming Spring 2021 workshops.
In this new post, I will provide tips and resources so that my workshop students and other writers can submit their best work to potential markets.
After years of focusing on literary poetry and fiction, including completing my undergraduate education in creative writing and taking writing workshops, I’m finally embracing my original genre aspirations.
I really, really, really want to reach 50,000 words in November and I want to do it in 2019 before the new decade starts and we’re in the far future.
I have learned a valuable lesson about writing this year as a result of teaching writing workshops. This led to a breakthrough in writing poetry that has transformed my poems in the past few months. Here is what I have learned.
I’m preparing lesson plans and writing new exercises for two fall workshops at the Writers Studio.
I’m currently preparing lesson plans and writing lessons for two summer 2019 workshops.
I’m teaching a new 6-week workshop titled “Crafting Fantastic & Imaginative Worlds” and it uses The Writers Studio method of persona writing and critiquing. It begins Saturday, July 27, 2019.
Two options for the beginning level writing workshop: Saturday morning with me and Wednesday evenings with Lela Scott MacNeil.
The Science Fiction & Fantasy Writers of America sets the minimum payment rates for professional short fiction markets. In September, this rate rises from 6 cents per word to 8 cents per word.
I was not prepared for how much worse imposter syndrome would get once I started writing regularly, getting published, participating in public readings, teaching…
I’m now a writing instructor at the Writers Studio in Tucson, Arizona and I’ll be teaching an 8-week introductory workshop in fiction, poetry, and creative nonfiction beginning Saturday, April 20th!
📚 I participated in a fantastic craft class today with Alice Hatcher, author of The Wonder That Was Ours. She was interviewed by Reneé Bibby, Director of the Writers Studio Tucson, and local students in the Master and Advanced workshops.
Horror 101: The Way Forward edited by Joe Mynhardt explores a tremendous territory of information, advice, and experience with essays written by many different creatives who work in the genre.
The tone and humor might be a little dated, even insensitive and problematic at points, but there’s no question that Save the Cat by Blake Snyder is a book packed with useful, easily digestible, but comprehensive information.
I’ve written an entire novel before, a few of them in fact, but I’ve never completed 50,000 words during National Novel Writing Month in November.
How you participate in class can mean the difference between a rewarding learning experience and an utter waste of your—and everyone else’s—time and money.
How to group poems into manuscripts that will go out to several potential markets?
I have no idea.
A tiny celebration for a small accomplishment: a little notebook full of handwritten poetry fragments.
I don’t believe in natural talent. I use “believe” on purpose because I might be wrong; nevertheless, there’s more to talent than whatever innate capabilities a person might be born with that makes them prodigy and genius.
Counseling, when you find the right counselor and when you engage with them honestly and with a willingness to do what they suggest, can work wonders and reshape your entire life.
My writing process is just one example of a writing process that will hopefully inspire you to build your own.
It occurs to me that I haven’t written much about The Writers Studio workshops I’ve been attending regularly for the past year. It has been such a positive experience that I think I have been trying to keep it all to myself. No more.
The problem with some men (Many? Just me?) in their twenties is that they won’t shut up and listen. Instead they pronounce. Loudly. I pronounced on a writing forum that the only writers who are successful and published are those who sacrifice themselves entirely and painfully to their art. I called out people I believed would probably never be published to defend my pronouncement. I called out housewives and retirees specifically.
Maybe this post is about isolation after all.
The Kick-Ass Writer by Chuck Wendig includes over 30 lists of 25 tips about various subjects like writing, rewriting, craft, and publishing.
I wrote a short response to the paper pointing out the Dark Enlightenment as a worrying contemporary example of where an ethic of expediency can lead. The response wasn’t what I expected.
I remember fondly buying a few editions of The Year’s Best Fantasy and Horror anthologies edited by Ellen Datlow and Terri Windling in the 1990s. I was in my twenties and while many of the stories and their level of craft were opaque to me at the time, I felt I had stumbled onto a magical tradition.
What I am really noticing for the first time is how poorly written these TV shows are. The focus is on visual style and action, so getting from point A to point B doesn’t seem to require logic or coherency, and fleshing out characters doesn’t seem to be a priority.
So should writers give up writing, especially if reading is on the decline as other forms entertainment become much more popular?
This is the time to enjoy the way things used to be or are currently, before everything changes due to technology. A day of physical book making followed by watching VOD.
A long time ago when I lived in Rochester, New York, I stupidly wrote a letter to a coworker and mailed it to his home. It was not really a love letter, but it might as well have been.
My sad public admission this week: I’m not very well read.
What was previously my blog – full of news, likes and commentary – should now, I think, become a writing journal, a document more closely related to the craft of writing.